Although I've heard of the Flaming Carrot, my ignorance about it is otherwise total. I could look it up online somewhere, but my Crusade book came yesterday, so I think my choice is clear. I also got the second volume of JMS' Thor run, so I'm a bit torn.
Raw Shark
"Every single time, we think we have the answers. And every single time, we get surprised."
Monster Magnet, Queen of You
The Crusade book has the following ISBNs:does anyone habe the ISBNs for the books from cafepress?
The Crusade book has the following ISBNs:does anyone habe the ISBNs for the books from cafepress?
ISBN-10: 0-9795393-8-2
ISBN-13: 978-0-9795393-8-1
Ok, so I got it, read it, and have already given it away. I was kind of disappointed by it. Yeah, it was exactly what it purported to be, and my disappointment was undoubtedly based on my insane desire for it to be more than that; the hope that it would answer at least some of the lingering questions, but it really didn't.
And in fact, I'm not even sure why I thought it would. I mean, there's no reason an actor would know anything about the long-range arc of his/her character, there's no reason to assume the costume director would know anything, there's no reason to assume the set designer would, either. So basically I went into it with a lot of hopes, and came out with a $40 charge on my card.
It's not a total wash - Richard Bigg's comments were interesting, one of the after-the-fact interviews was kind of interesting, and Janet Greek ragging on Gary Cole was surprising (Though she took most of it back later on).
Anyone else read it? What were your thoughts?
I have bought all of the B5 Script/Quote/Voices books, but never even had a tiny desire to get this one. To me it was a big "whats the point?"
Behind the Scenes? I think we all heard as much as we wanted to about what happened behind the scenes from JMS and a few others while this was going on, and in the years afterward.
What more could this book tell me that I'd already heard? And does it even matter? The show died a quick death. Its gone. Not coming back. I've heard all the stories about Network involvement, etc. What more could this book possibly provide?
So no, I didn't get it, and never planned to. Not only did I think it wouldn't tell me anything new, I found myself not even caring if it did because it doesn't change anything.
Ok, so I got it, read it, and have already given it away. I was kind of disappointed by it. Yeah, it was exactly what it purported to be, and my disappointment was undoubtedly based on my insane desire for it to be more than that; the hope that it would answer at least some of the lingering questions, but it really didn't.
I have that insane desire as well. <shrug>
And in fact, I'm not even sure why I thought it would. I mean, there's no reason an actor would know anything about the long-range arc of his/her character, there's no reason to assume the costume director would know anything, there's no reason to assume the set designer would, either. So basically I went into it with a lot of hopes, and came out with a $40 charge on my card.
It's not a total wash - Richard Bigg's comments were interesting, one of the after-the-fact interviews was kind of interesting, and Janet Greek ragging on Gary Cole was surprising (Though she took most of it back later on).
Anyone else read it? What were your thoughts?
I haven't read it all the way through. Started, but stopped after reading page 26, because of what you said above ("....there's no reason an actor would know anything about the long-range arc of his/her character, there's no reason to assume the costume director would know anything, there's no reason to assume the set designer would, either.") and knowing how it ended (i.e. badly), and not wanting to go there. I skipped ahead a bit, and Janet Greek ragging on Gary Cole surprised me as well.
I'll read through it eventually. Right now, I have enough on my plate to keep 10 people busy.
http://themadgoner.com/B5/B5Scrolls/B5Scrolls.htm#Screen1_04_3What is unfortunate is Joe deciding to end it all after 5 years. But everyone has to remember that B5 was always described by Joe as a five year novel for television – similar to several English series. I think that folks should just let Crusade go. It wasn't nearly as planned out in Joe's head as B5 was, he had five years to contemplate the intricacies of the series while we were trying to find a home for it on television and it is also hard to make lightning strike twice in the same bottle. Plus it takes several episodes for a series to get dialed in – just look at the first half of season one of B5 – we didn’t hit our stride until about ep 6 and by the half way point B5 really started to mature.
What I’ve never really understood though, given it’s a popular product, is why he doesn’t (or can’t) hand the writing reigns over to someone else – there’s other good authors and screenwriters out their!!?
Well, yeah, I did create the series, executive produce it, write 91 out of 110 episodes, and I do control many of the rights. And no deal can go forward without my involvement. By contract, if it doesn't happen with me, it doesn't happen.
I guess some folks wouldn’t entertain a book, tv series, comic or coffee mug that’s not been created by joe himself – which is a fair enough viewpoint. But joe does have a lot of control over what happens (or not happens) in the B5 verse – that’s just a simple fact, and saying what you did is simplifying the set-up somewhat.
A little, perhaps, but not much. Suppose JMS was willing to let trusted authors write a new series of B5 tie-in books. Forget any questions of canonicity for now. Until and unless a publisher approaches WB with large wads of cash for a license first, it ain't gonna happen. Which means it ain't gonna happen because no publishers are interested. I suppose that now he's with DC comics, JMS could suggest to both DC and to WB that a new B5 comic would be cool, but he couldn't do more than that. If JMS wanted to see a series of B5 short stories written by writers he trusts, he'd need permission from WB (and did even back in the days when the short stories were coming out in Amazing and the B5 magazine).I guess some folks wouldn’t entertain a book, tv series, comic or coffee mug that’s not been created by joe himself – which is a fair enough viewpoint. But joe does have a lot of control over what happens (or not happens) in the B5 verse – that’s just a simple fact, and saying what you did is simplifying the set-up somewhat.
Was the Lost Tales a failure?
I know many folks had problems with it and things like LoTR, though if we’re being honest, a good deal of those complaints revolved around the quality of the writing.
Personally I didn’t view TLT negatively (either story), and the indications were it made money for the studio and everyone else concerned.
Though I can definitely see where a lack of cash was impacting on things
– but it was far from terminal, and would have become far less of an issue if the things were being produced, as suggested, with two or three releases a year with budgets around the 3 to 5 million range (the numbers flying around at the time).
Many of the start-up costs (contracts and practical concerns) are largely addressed after the first one, sets, costumes much of the CGI models (and even animation), etc. is reusable. The CGI, prosthetic and wardrobe elements would grow with each instalment. It would have become almost like a stretched out tv series in that respect – one dvd is finished another immediately starts up.
To call a halt after the first one, after much of the hard work had been done, was an unfortunate decision. And it was jms who made it.
Warner wanted to do more, the fans wanted to see more. So why did it not happen? Was it because Warner couldn’t find any fresh new writers or established talented ones. Or does it lay more in the area that joe touched on in the quote I used earlier. i.e. by contract he has a say, and if it doesn’t involve him it doesn’t happen.
But then again, it is his ‘verse and if he decides to call a halt to any further filmed production (other than a big budget movie which – as you say – he alone holds the rights to) then that’s cool (genuinely).
But it is/was his decision. Not Warners.
It's not up to him, it's up to Warner Bros who own everything about B5 except the movie rights with JMS owns.
It doesn't really matter what Facebook claims, I'm at least 85% certain that federal law has already addressed the issue and copyright remains with the poster.Well, JMS better be careful what he posts on Facebook then. They claim they own everything everyone posts on it. I was going to sign up, but when I read that in the service agreement, I declined. It would be an interesting civil case. Facebook v JMS and WB, for the rights to any ideas on B5 he might post... :wtf:
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