<BLOCKQUOTE><font size="1" face="Verdana, arial">quote:</font><HR>I've been told she really, really wanted to get Crusade from TNT but they jacked up the price to well over their budget out of spite.<HR></BLOCKQUOTE>
That they did, and Sci-Fi
still damned-near pulled it off. The real deal-breaker was the price that TNT wanted for its exclusive rights to the
B5 reruns, without which nobody was going to take a chance on
Crusade. One of the few actual bits of "inside info" I've ever had about
B5 came from a
B5 fan who worked for a company (not one of the main ones) that was involved in the talks. After the dust had settled she described TNT's proposal for giving up its rights to
B5 as "a ransom note."
The figure involved was one that no programming executive in his or her right mind would agree to (as JMS has confirmed since) and TNT
knew this. Since at the time their contract was scheduled to run until February of
this year they had Sci-Fi over a barrel. All the creative financing in the world with regard to
Crusade couldn't get them
B5, too. TNT used the original series to make sure the sequel stayed dead.
This is also why TNT continued to keep
B5 on the air, even when it was only running once a week on Saturday mornings to lousy ratings. As long as they kept running it, their exclusive remained in force. The minute they cancelled it, the rights reverted to Warner Bros. who would have sold it to Sci-Fi in a hearbeat.
Once Sci-Fi and Warner Bros. concluded a new deal for the show, TNT let the remaining months of its contract go for a song. Sci-Fi could have waited them out and debuted the show in March 2001 if they had to, so TNT agreed to give up the show in September. They figured
Crusade was dead forever by that time, which was the point of the exerceis, and if they dug in their heels Sci-Fi would get the show by default in March anyway. At least this way TNT got a little money.
TNT's final bit of sleaze came when they realized that by running the show six days a week (with two episodes on the first and last Saturday) they could
just get in one more full cycle of shows before Sci-Fi took over - and thereby cut into SFC's ratings. They did exactly that. "Sleeping in Light" aired as the second of two episodes on a Saturday, Sci-Fi ran "In the Beginning" on that Sunday and launched the series with "The Gathering, Part One" on Monday. TNT also made sure sure that they ran all the TV movies again (twice, I think) before they lost the show.
Sci-Fi's decision to run the widescreen version of
B5 (which was made late in the process, which accounts for many of the errors as Warner Bros. rushed to get the widescreen masters done) may have been a way to counter TNT's actions.
Mind you,
all of this refers to certain executives at TNT Atlanta. I think we sometimes paint with too broad a brush in this regard. The network did
B5 season five because a determined group of
B5 fans in both Atlanta and Los Angeles pushed them to do so. The network did more publicity and promotion for the series in the three or four months before it debuted than PTEN and Warner Bros. had done in four years.
B5 was on the cover of the glossy 1999 press kit announcing TNT's major plans for the balance of the season. (I have copies of a lot of this stuff, which I got as a thank-you from some of the TNT staff for helping them connect with the fan community on-line.)
JMS has gone out of his way to praise TNT-L.A.'s liasons to
B5, Kat Slonaker and Betsy Newman, and I'd add Dean Treadwell of the marketing department in Atlanta to the list of TNT heroes. (Dean was very active on the Compuserve
B5 Forum in the months leading up to the show's debut, and was clearly a fan. He even tried to shake some money loose to do a least a couple of the movies in widescreen.)
Some of these folks are
still big
B5 fans, though they probably don't mention the fact around the office.
Remember, the Shadows and the Vorlons weren't all-good or all-evil, either.
Regards,
Joe
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Joseph DeMartino
Sigh Corps
Pat Tallman Division