<BLOCKQUOTE><font size="1" face="Verdana, arial">quote:</font><HR>But they can't learn about the characters or story because they're making a different story with different people. <HR></BLOCKQUOTE>
*Ding* No more calls, please. We
have a winner.
Every new show, involving new characters and new stories, takes time to find its feet. Even if the initial episodes are
good the later ones will be
different as the writers, producers and actors find the right tone for the characters and the stories.
One of the striking things about James T. Kirk in the first half dozen or so produced
Star Trek episodes is how grimly
serious he is all the time. The playful humor that is a trademark of the series is almost completely absent from the first part of S1.
M*A*S*H took the better part of a season to fine-tune the mix of comedy and drama, and the esemble cast, before it settled down into the familiar show.
Star Trek: TNG was frankly dull for most of the first two years. I don't think it produced a really
memorable episode until "Yesterday's Enterprise." Up until then the show was OK, but "routine."
Now to a degree this is all subjective, a matter of taste. But if you go back and look at most first season episodes from most long-running shows you'll find differences in style and approach, and they'll be
real whether you think the later shows are better or worse.
This is because there is
always a learning curve, especially with an ensemble show where the personalities of both the characters and the actors have to mesh, and the writers are influenced by the chemistry between different combinations of actors in crafting their scripts.
Star Trek almost became
The Kirk and Spock Show by season three, because that relationship was so interesting and so compelling to the writers. Often Spock, as Science Officer, was given exposition to deliver that really should have come from McCoy, the ship's Chief Medical Officer. Why? Kirk and Spock were more fun to write, and the audience loved it, too.
There is less room for this kind of thing in a show with a story arc, but there is room for some of it. It didn't
have to be Stephen and Marcus that made contact with the Mars Resistance, for instance. There wasn't any major arc-driven reason for them to get the assignment, almost any two characters could have been sent. I think JMS used the pair because they had been fun together in "Exogenesis."
As you go along in producing a show you learn what works and what doesn't
for that show, which is different than the last show you did, and will be different from the next show you do. As you said, technical expertise carries over. Things specific to the story don't.
Regards,
Joe
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Joseph DeMartino
Sigh Corps
Pat Tallman Division
joseph-demartino@att.net