Joseph DeMartino
Moderator
Watch any theatrical film, especially those exhibited at a 1.85:1 aspect ratio and you'll see plenty of "cropped heads." This is called a "close up" and is a deliberate choice. The director is emphasizing the actor's eyes, pulling in close and giving the shot a slightly claustrophic feel. The reason nobody complains about this in feature films is because they've never seen the raw film stock that was shot on the day - which is always in 1.33:1 ratio for 1.85:1 films. The "dead" space at the top and bottom is not part of the intended composition, and is largely ignored by the director and the cinematographer. It exists so that someone can later create a butchered version of the film more easily for airline and TV playback - which helps the film make money, in the long run.
Jeez, nobody cries "Foul!" when Marlon Brando's forehead is cut off in The Godfather.
Just because you saw the 1.33:1 version of B5 first doesn't make that the "right" version, and it doesn't make the 1.77:1 version "wrong". JMS has said that if anything they cheated towards making the widescreen version look the best all during shooting on the theory that it would be seen by far more people over the years than the "standard" TV version ever was.
Not every difference between the two is a mistake.
Regards,
Joe
Jeez, nobody cries "Foul!" when Marlon Brando's forehead is cut off in The Godfather.
Just because you saw the 1.33:1 version of B5 first doesn't make that the "right" version, and it doesn't make the 1.77:1 version "wrong". JMS has said that if anything they cheated towards making the widescreen version look the best all during shooting on the theory that it would be seen by far more people over the years than the "standard" TV version ever was.
Not every difference between the two is a mistake.
Regards,
Joe