KoshN
Super Moderator
That's just disturbing, as were the rest of your casting images in that other thread. Feel like I'm in a Skiffy Channel nightmare.
Feel like I'm in a Skiffy Channel nightmare.
Don't forget ... Christopher Lloyd in Search For Spock.
Feel like I'm in a Skiffy Channel nightmare.
Well, you never know. I was kidding, obviously.
Now if you could just get Pat (Lyta) Tallman to have a fight with her we may have a fun episode.Feel like I'm in a Skiffy Channel nightmare.
Well, you never know. I was kidding, obviously.
I'd hoped so, but Skiffy would take it seriously as a "good idea." You know how they are. <shudder>
...but...OTOH, I liked the 182 minutes of BSG 2003 they financed, and I was warming up to "Tremors-The Series" (guilty pleasure) when they cancelled it. <shrug>
The question no one has answered yet is why Warner Bros., which is notorious for not wanting to share pofits with anybody (they stalled for years before licensing B5 to Columbia House for VHS release, and they helped kill the Rangers project by refusing to cut Sci-Fi in for a piece of the action), would want or need an outside partner to do such a movie. It isn't like they don't have the cash to do it on their own.
Let's face it, except for certain films and films series, Sci-Fi has been dead on the big screen for a while.
Because they don't want to take a huge hit in the pocketbook all by themselves?
Most "co-productions" are insanely expensive films that no one studio has enough ready cash to pay for. Two or more studios go in on the production and they divvy up the world rights to it for theatrical and home video release so each party earns its own profit. 9 times out of 10 these films start out as single studio projects a second studio is only brought in when the budget gets out of control. (Titanic was a classic example - started by one studio, rescued by a second when the first ran out of cash with about 70% of the picture in the can. Paramount and Fox did the movie, but I can't remember who had it originally.)
The last couple of Star Wars and Star Trek films haven't underperformed at the box office because science fiction is out of favor with movie-goers, they've underperformed because they sucked.
(At least I'm assuming Nemesis and Attack of the Clones sucked, because the fact is the films that preceded them in each series sucked so badly that to this day I haven't seen more recent ones.)
Frankly I'm sure that the more recent Trek and SW films have also underpeformed on DVD - whereas B5 is doing well enough on DVD that somebody is actually interested in doing a new project after all these years.
So I don't think Warner Bros. is going to assume that Trek and SW predict the success of anything besides Trek and SW.
Since several on-line retailers are now listing B5 S4 as back-ordererd, I suspect that S4 is selling even better than the preceeding seasons did. (As I've predicted it would, since there are more casual fans who consider S4 the "meat" of the series who would likely buy it even if they didn't buy any other season.) I think this would have far more impact on WB's thinking than what some other studio's SF franchise is doing.
However, if Peter Jackson did another genre movie, I'd be there in a heartbeat. Also, when the Extended Edition of "Return of the King" comes out, I'm getting it, come Hell or high water.
New Line's Lord of the Rings trilogy certainly looks insanely expensive (It looks soooo damn good! ). Isn't that a one studio production?
Let's not over-generalize too much, and let's not give in the the SF fan's classic chicken little mentality. Considering that we're supposed to be fans of a genre that largely deals with the future, SF fans are some of the gloomiest damned people you'd ever care to meet and the sky is always falling.
What SF Fans do not forgive is the same mistake 3 times. That is why there was such a fuss about the scratches on Babylon 5 Season 3 box sets - it should have been cured after Season 1.
Constantine,
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