I really didn't want to comment on this film until I saw it and I just got back from the theatre tonight. All I can say is that you don't really "watch" this film so much as "experience" it. Fahrenheit has a much different feel to it(at least to me) than Roger & Me, The Big One, and even Bowling for Columbine. It may be because Moore has put less of himself in this film than in others or it may be that the issues are just more serious this time around, I don't know for sure.
In any case, I don't want to talk about all the other stuff that's going to be debated about this movie (i.e. whether Bush was portrayed accurately, whether Moore had his facts straight...etc.), because none of that is really what makes Moore's films so unique. What makes his films stand out is their themes. Other than the late Stanley Kubrick, I don't think there is a director that does a better job of establishing and weaving a single theme throughout a movie. Even when Moore goes into the ties between the Bush family, the Binladen family and the Saudi royal family (which most critics believe is the weakest part of the film) it punches home the overall theme. Then you have the most powerful parts of the film: Marine recruiters going after poor, young African-Americans; the mother who lost her son in Iraq; the heads of Halliburton, Microsoft and other major companies having a black-tie affair to discuss how they are going to rape and pillage Iraq's natural resources... etc. -- all of which serve to establish Moore's theme.
I don't know if it's possible for people who dislike Moore to judge this film objectively, but I can't really see how anyone can say that it's anything other than a damn good film. I can see why it won at Cannes.
In any case, I don't want to talk about all the other stuff that's going to be debated about this movie (i.e. whether Bush was portrayed accurately, whether Moore had his facts straight...etc.), because none of that is really what makes Moore's films so unique. What makes his films stand out is their themes. Other than the late Stanley Kubrick, I don't think there is a director that does a better job of establishing and weaving a single theme throughout a movie. Even when Moore goes into the ties between the Bush family, the Binladen family and the Saudi royal family (which most critics believe is the weakest part of the film) it punches home the overall theme. Then you have the most powerful parts of the film: Marine recruiters going after poor, young African-Americans; the mother who lost her son in Iraq; the heads of Halliburton, Microsoft and other major companies having a black-tie affair to discuss how they are going to rape and pillage Iraq's natural resources... etc. -- all of which serve to establish Moore's theme.
I don't know if it's possible for people who dislike Moore to judge this film objectively, but I can't really see how anyone can say that it's anything other than a damn good film. I can see why it won at Cannes.