taichidave
Regular
<BLOCKQUOTE><font size="1" face="Verdana, arial">quote:</font><HR>Originally posted by channe:
Around the end of your undergraduate literature career, if you haven't already, you begin to develop certain areas of literature where you're more proficient, where you know the most, where you're the most interested.
For me, this is postmodern American, early 20th Century American, English Romantic poets, and post-apocalyptic literature.
<HR></BLOCKQUOTE>
In my case:
Medieval/Renaissance
American Romantics
Camelot related - I took two courses on the Camelot legend in literature from the Venreable Bede (c. 700) to present.
Sadly, I couldn't pursue the first two in greater detail. I was too busy taking modern physics and thermodymanics.
During the second Camelot class, the Road Warrior came up as a Wasteland myth with Max as a Fisher King figure. I imagine a similar dynamic may well appear in a different way with Jeremiah.
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"We are (not) all Kosh."
Around the end of your undergraduate literature career, if you haven't already, you begin to develop certain areas of literature where you're more proficient, where you know the most, where you're the most interested.
For me, this is postmodern American, early 20th Century American, English Romantic poets, and post-apocalyptic literature.
<HR></BLOCKQUOTE>
In my case:
Medieval/Renaissance
American Romantics
Camelot related - I took two courses on the Camelot legend in literature from the Venreable Bede (c. 700) to present.
Sadly, I couldn't pursue the first two in greater detail. I was too busy taking modern physics and thermodymanics.
During the second Camelot class, the Road Warrior came up as a Wasteland myth with Max as a Fisher King figure. I imagine a similar dynamic may well appear in a different way with Jeremiah.
------------------
"We are (not) all Kosh."
