GKE -- Queen of the Damned is nothing but pain, suffering, and wishing you'd never spent money on this queen of damned awful flicks.
Yeah, it sure looked like it. The bit I saw involved Lestat's band performing in what looks like a caricature of an awful spoof of a bad 80s metal video, followed by what I presume was Akasha being all slimy all over him.
I also read that the movie actually combines the novel of the same name and the second vampire chronicle, The Vampire Lestat, which I can't imagine working given the impressive scope of both novels.
So the irony of the vampire stories is that the film of Interview impressed me but the novel, which I only read recently, did not, while the following two novels did impress me, but the movie obviously blows chunks.
Anyway, with that completely off-topic nonsense out of the way, here's some more Farscape pontification:
Thinking about my two favorite sci-fi shows (not including the original Star Trek, which is in its own class), Farscape and B5, it's funny how completely opposite they are. If B5 is the elegant, sophisticated adult theater drama, Farscape is the rebellious cartoon with guts and heart.
B5 works so well that I'm completely drawn in to their universe, as if I'm watching a documentary. When watching Farscape, I'm constantly conscious of watching a TV show- it's often cartoon-like. The greatest effect of B5 is that it can come off as believable, as real. Farscape is ultimately and always fantasy.
Farscape is ultimately much more flawed, but when Farscape fails it's still entertaining, but when B5 fails it ruins the experience- it breaks the bubble. By being in greater scope stylistically, it is smaller in scope dramatically.
B5 likes to define things by questions. If Farscape did that, its big question would be "Why the f*** not?" Why not make this character blue, make this one have a spinning liquid tube to prevent his brain from melting, make a puppet soothsayer baby with four eyes, dedicate half an episode to being a cartoon or acid trip, like the main character? well, damn kids, let's make two of em! It's like kids in a sci-fi candy store and it's great fun to watch. Oh, sure, the plots might not always make a heck of a lot of sense, the dialogue can be completely self-indulgence and needlessly referential (esp Crichton's), but it really doesn't matter because we think it would be cool anyway and anyone's welcome to come for the ride.
So really the only thing that holds this all together is indeed the performance. It's almost as if they're too good for this show in a way. The only thing "real" in this show is the emotion, and that is pretty damn hard for an actor to do in an environment surrounded by living spaceships and puppets.
Like that episode after Crichton died and Aeryn was mourning on this planet full of weirdos and her mother died. The whole episode was completely ridiculous- a dude with crab for half a face, the cauliflower baby mystic, extras that looked like that stupid scence from Queen of the Damned I mentioned above. What the hell? But as I was watching it I was completely engrossed because Claudia Black was freakin' awesome.