Well, I am fond of puns...
Some years ago, I asked you if you intended this pun, in picking your name. You replied that you did not.
Has Cell actually given a few examples of television shows (or theatrical movies) which demonstrate his point that the ability to tell a great story [in a science-fiction, space-based backdrop] is not effected at all by the budget?
And just who is egotistical enough to think they have the right to criticize JMS for moving on and pursuing other goals? Isn't it sad when a creative person doesn't do just that? Who is so self-centered and egotistical enough to...
Oh, ... never mind.
Well, I am fond of puns...
Some years ago, I asked you if you intended this pun, in picking your name. You replied that you did not.
Well Jade... your name always makes me question whether you are betraying a fondness for Godzilla's occasional robotic pal, Jet Jaguar.
Me, it went the other way: I picked KoshFan because I think Kosh is awesome... and then people started calling me a Vorlon, apparently not noticing that I was just a groupie.
Eventually I just started wearing an encounter suit and went with it.
Does that make your students show you more respect?
However... my own problems with ladies have now exponentially increases due to the fact that John Cleese chases me around everywhere declaring that I am in great peril any time I walk up to a girl!
My only question is that I read they were giving JMS a $ 5 million budget for the second installment. $ 3 million more than the first. Sounds like plenty of money to me ?
I'm not one of those people. I knew beforehand all the sets were gone, and the sets aren't the point. The point is that even if those sets had been around the story that JMS tried to tell in TLT was a weak one, that's why it didn't work.
The sets have next to nothing to do with the story that was told,
...if he had delivered two people in a room talking within the B5 universe and it was good, I would have praised it as such, but he didn't.
He delivered a subpar product, the budget, or lack of one, had nothing to do with that.
And where did I say I was expecting a B5 or Crusade episode?
I was expecting a good story period, whether it was two people in a room talking or a full cast of characters I didn't care as long as I received a good story, but JMS failed to deliver a good story.
All that stuff doesn't matter one iota if the story is strong enough to be worth anything. That's what you don't seem to understand, big lavish sets and money galore being tossed into the project are added extras, they are not the core of what makes something like TLT good.
A great story is a great story regardless of what the sets are or how many extras are on screen. The same is true of an average or subpar story. The blame for TLT not being good doesn't fall on WB at all.
Sure, it would have been nice if they would have contributed more money and there would have been some better window dressing as a result.
But, the reality of the situation is that even with all the window dressing in the world the stories that JMS told in TLT weren't good.
The blame for TLT not being good falls on his shoulders for telling a lackluster and subpar story.
Actually, as Comes the Inquisitor...
...and Intersections In Real Time showed you don't need a ton of CGI, actors, or sets for a story to fit within the B5 universe. What you need is good storytelling, and TLT didn't have much of that.
If people went into TLT expecting an exact replica of an episode of B5 then that's all their fault, because it should have been obvious from the get-go that TLT was going to be something different.
It could have been something great had JMS delivered a story that was great. But, he didn't and we were left with a subpar product.
Toss all the money in the world at the script that JMS turned in and the direction that he used and you would still be left with a subpar product. Like I said earlier, great storytelling works on any medium, and great storytelling would have worked in TLT, it's too bad we didn't get any.
Welcome back KoshN. Hell of a come back !
There's really no need for me to address your points section by section, except for to say that I completely disagree with your reasoning behind why TLT was bad. It wasn't bad because of a lack of money or resources, it was bad because it was helmed by a man who apparently can only create a good story when he is given a lot of money to work with. You can think otherwise, and that's fine, but I don't agree with what you are saying at all.
That you can say that about a guy who made B5 and Crusade on $985,000 to $1,000,000 per episode, is revealing.
Yes, and one million per episode is clearly a pittance. It's amazing to me sometimes how B5 fans seem to live in some sort of isolated bubble world where they don't realize that the majority of sci-fi TV is made on that exact type of budget, and they are not the exception.
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